{"id":1009,"date":"2020-10-29T12:03:56","date_gmt":"2020-10-29T11:03:56","guid":{"rendered":"http:\/\/museodetudela.d200.dinaserver.com\/painting\/"},"modified":"2023-09-29T12:42:23","modified_gmt":"2023-09-29T10:42:23","slug":"painting","status":"publish","type":"page","link":"https:\/\/museodetudela.com\/en\/museum\/collection\/painting\/","title":{"rendered":"Painting"},"content":{"rendered":"\t\t
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The private rooms of the Dean<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The first floor in the palace was occupied by the private rooms of the Dean, which lead to the cloister. Between them a late gothic chapel with tiles of the XVI century on the floor and on the altar.<\/p>\n

In this space is the painting room where oils on canvas are mainly exhibited by Vicente Berdus\u00e1n, considered the best barroque painter in the XVII century in Navarra. His Works ,thematically religious were numerous. In fact they can still be watched in different churches or convents in Tudela.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dean's chapel<\/strong>
XVI century. Dean's Palace in Tudela.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 Museo de Tudela, 2020\u200b<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Featured pieces<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Santa Catalina de Alejandr\u00eda\"<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In the museum we find \u201cGlorificaci\u00f3n de San Juan de la Cruz\u201d, \u201cChild with cross\u201d, \u201cSaint James\u201d and \u201cSanta Catalina de Alejandr\u00eda\u201d<\/strong>.<\/p>\n

The last one comes from San Nicol\u00e1s church. It is a large-sized picture, dated and signed in 1693, last stage of the artist\u2019s work, as we can see on the canvas (left inferior corner).<\/span><\/p>\n

This martyr appears richly dressed, kneeling and contemplating some angels (part of the artist\u2019s personal characteristics) how they are coming down from the heaven with the crown and the palm-tree, symbol of martyrdom. Her left hand rests on the remains of the wheel of martyrdom studded with iron teeth on the ground and the sword, final instrument of her death.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cSanta Catalina de Alejandr\u00eda\u201d<\/b>\n
Oil on canvas, 1693. Vicente Berdus\u00e1n. San Nicolas church.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 Museo de Tudela, 2020\u200b<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Featured pieces<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Final Judgement\"<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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One of the most special pieces of the collection is this Flemish table of XVII century \u201cFinal Judgement\u201d<\/strong>. The techniques and iconography used take us to Jheronimus Bosch<\/strong> and his school, so, in historiography this piece has frequently been attributed to the environment ot this painter.<\/p>\n

The essence of the Bosco symbology can be seen in this oil on wood: hell, punishment and sin are part of his work represented by darkness and by actions and objects of beings that appear. We appreciate two luminous and colorful points. On the left, we can spot an island on the other side where some angels wait to help the blessed, and in the superior part, Christ judge appears, central element of the panel, with the trumpeter angels calling for judgement, and the Apostles around.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cFinal Judgement\u201d<\/b>
Oil on panel. XVI century. Jheronimus Bosch\u2019s school. Tudela\u2019s Cathedral<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 Museo de Tudela, 2020\u200b<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

The private rooms of the Dean The first floor in the palace was occupied by the private rooms of the Dean, which lead to the cloister. Between them a late gothic chapel with tiles of the XVI century on the floor and on the altar. In this space is the painting room where oils on […]<\/p>\n","protected":false},"author":5,"featured_media":861,"parent":1281,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1009","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/museodetudela.com\/en\/wp-json\/wp\/v2\/pages\/1009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museodetudela.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/museodetudela.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/museodetudela.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/museodetudela.com\/en\/wp-json\/wp\/v2\/comments?post=1009"}],"version-history":[{"count":3,"href":"https:\/\/museodetudela.com\/en\/wp-json\/wp\/v2\/pages\/1009\/revisions"}],"predecessor-version":[{"id":2256,"href":"https:\/\/museodetudela.com\/en\/wp-json\/wp\/v2\/pages\/1009\/revisions\/2256"}],"up":[{"embeddable":true,"href":"https:\/\/museodetudela.com\/en\/wp-json\/wp\/v2\/pages\/1281"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museodetudela.com\/en\/wp-json\/wp\/v2\/media\/861"}],"wp:attachment":[{"href":"https:\/\/museodetudela.com\/en\/wp-json\/wp\/v2\/media?parent=1009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}